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18 <h1>Music I Enjoy</h1>
19 <div class="contents">
20 <dl>
21 <dt>
22 <a href="#sec1">The Bands I Like the Most</a>
23 </dt>
24 <dd>
25 <dl>
26 <dt>
27 <a href="#sec2">Skyclad</a>
28 </dt>
29 <dt>
30 <a href="#sec3">Kevin Moore</a>
31 </dt>
32 <dd>
33 <dl>
34 <dt>
35 <a href="#sec4">Chroma Key</a>
36 </dt>
37 <dt>
38 <a href="#sec5">OSI</a>
39 </dt>
40 </dl>
41 </dd>
42 </dl>
43 </dd>
44 </dl>
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46
47
48 <!-- Page published by Emacs Muse begins here -->
49 <p>I have a <a href="http://www.last.fm/user/unknown_lamer/">last.fm</a> account.</p>
50
51 <h2><a name="sec1" id="sec1"></a>
52 The Bands I Like the Most</h2>
53
54 <h3><a name="sec2" id="sec2"></a>
55 Skyclad</h3>
56
57 <p class="first">Skyclad is incredible folk metal. The first two albums (<em>Wayward Sons
58 of Mother Earth</em> and <em>Burnt Offerings for the Bone Idol</em>) are Testament
59 style thrash with a bit of fiddle and keys and a heavy dose of
60 NWOBHM. The third album, <em>Jonah's Ark</em>, blunts the edge of the guitars
61 and adds a lot more fiddle and is really where the band goes from
62 making good to incredible music.</p>
63
64 <p><em>Prince of the Poverty Line</em> is about as 'heavy' as the first two
65 albums, but the the song structures are far more worked out and there
66 is an interesting infusion of folk and power metal into the sound. The
67 songs are mostly scathing social critiques of the state of society at
68 the time. The follow up, <em>Silent Whales of Lunar Sea</em>, is a decent album
69 but is scarred by terrible recording quality and mixing. It has
70 listenable songs (with &quot;The Present Imperfect&quot; and &quot;Another Fine Mess&quot;
71 standing out), and the only really noteable aspect is the slight
72 change toward a much less thrashy riff structure.</p>
73
74 <p><em>Irrational Anthems</em> more than made up for <em>Silent Whales of Lunar
75 Sea</em>. The less thrashy and slightly more punkish riffing structure
76 takes over here and the songs are all fast paced with guitar and
77 fiddle duels taking place often</p>
78
79 <p>The next two albums see the electric guitar deemphasized and the band
80 making something more like heavy rock than heavy metal. The EP <em>Oui
81 Avante Garde a Chance</em> starts out with a fast paced fiddle oriented
82 song, moves into a nearly entirely fiddle and acoustic guitar song,
83 and then goes into a few slow songs dominated by keys and fiddle. The
84 albums picks up in intensity with <em>Bombjour</em>, and then has an acoustic
85 version of a song from the previous album. The new material ends with
86 the slow and intense <em>Badtime Story</em>. A couple of covers and an
87 instrumental version of a song follow to pad the EP to album length.</p>
88
89 <p><em>The Answer Machine?</em> was once my favorite album in my entire
90 collection. Most of the songs have a fuzzy electric guitar and an
91 acoustic guitar going at the same time, and the album is music that I
92 have found is listenable to people who don't like metal. The fiddle,
93 violin, and piano dominate and are backed by interesting bass and just
94 the right amount of guitar. The album is a pseudo-concept album; each
95 song is about a different quest for the answer to life. Unfortunately,
96 here is also where the influence of their producer can start to be
97 felt&mdash;a lot of things seem to be done for the sake of <em>sensibility</em>.</p>
98
99 <p>The last two Skyclad albums with Martin Walkyier (the original singer)
100 see a two step return to a more metal style, but this time something
101 resembling <em>Powerslave</em> era Maiden with heavy folk overtones rather than
102 Testament. Both albums are fairly strong, and have a few songs that
103 are among the best Skyclad has ever done: &quot;Cancer of the Heart&quot; and
104 &quot;Vintage Whine&quot; on <em>Vintage Whine</em>, and &quot;The Antibody Politic,&quot; &quot;The
105 Disenchanted Forest,&quot; and &quot;Think Back and Lie of England&quot; on <em>Folkémon</em>.</p>
106
107 <p>Alas, after <em>Folkémon</em> Martin left, and the band seems to have lost its
108 magic. It is much like At the Gates; the core members meshed quite
109 well together and lost some magical chemistry upon a major component
110 leaving. Skyclad's first album with the new singer was ok, and the
111 followup was a bit better. Unfortunately Kevin Ridley appears unable
112 to sing aggressively.</p>
113
114
115 <h3><a name="sec3" id="sec3"></a>
116 Kevin Moore</h3>
117
118 <p class="first">Kevin Moore is the first keyboardist of Dream Theater who left after
119 <em>Awake</em>. His work since then has surpassed the quality of everything
120 Dream Theater has produced since then for he posesses a unique
121 songwriting style and wonderful artistic ability.</p>
122
123 <h4><a name="sec4" id="sec4"></a>
124 Chroma Key</h4>
125
126 <p class="first">Chroma Key is (was?) Kevin Moore's primary project. It is mostly
127 electronic and fairly mellow. Secretly I like it (don't tell anyone I
128 listen to anything not metal).</p>
129
130
131 <h4><a name="sec5" id="sec5"></a>
132 OSI</h4>
133
134 <p class="first">OSI was originally a collaboration between Kevin Moore, Jim Matheos
135 (guitarist of Fates Warning), Mike Portnoy (drummer of Dream Theater),
136 and a few other prog rock/metal people. The first album, <em>Office of
137 Strategic Influence</em> was a moderately heavy and good album that sounded
138 quite similar to <em>Disconnected</em> Fates Warning with Kevin Moore on vocals
139 and complicated drumming.</p>
140
141 <p><em>Free</em> followed three years later and is completely different from the
142 first. This time the album was done with Kevin Moore and Jim Matheos
143 alone, and it finds a much nicer balance between keyboard and
144 guitar. The first OSI sounded too much like Fates Warning with more
145 ambient keyboarding; this one has a sound of its own. My ears have
146 heard this album many times, and will listen again many more.</p>
147
148 <p>I'm not really digging <em>Blood</em> that much, but it's not bad.</p>
149
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